Damascus,7 march (SANA) ” Setti Dance,” also known as ” Raqset Setti,” which means ( the dance of my grandmother in English ) stands as one of the most renowned musical compositions in Damascene and Syrian heritage.
This melody, deeply intertwined with the memory of the old city and its popular atmosphere, remains present at tarab (traditional Arabic musical entertainment) gatherings and traditional celebrations, where it is performed to evoke the spirit of Damascus and its timeless rhythms.
The piece was composed by the late Syrian musician Omar al-Naqshbandi, who left a distinct mark on Levantine music through works that blend popular simplicity with authentic tarab artistry.
Authentic Damascene Roots
” Setti Dance” belongs to Syria’s rich musical heritage, specifically to the Damascene cultural environment, historically celebrated for its artistic diversity and wealth of musical traditions. The composition emerged within the context of folk arts that accompanied social occasions, such as weddings and family celebrations.
Over time, the piece became an integral part of the city’s cultural memory, performed at musical evenings and heritage events, and is now regarded as a symbol of traditional Levantine music.
The Signature of Omar al-Naqshbandi
The composition of ” Setti Dance” is attributed to the Syrian musician Omar al-Naqshbandi, who succeeded in creating a musical work that combines lively rhythm with an endearing popular character. The piece is distinguished by its danceable tempo, making it ideal for artistic performances and traditional folk dances.
Al-Naqshbandi, who grew up in a popular urban environment, remained faithful to these roots throughout his career. This authenticity is readily apparent in his limited body of work, which embraced a folk-oriented approach that diverged significantly from his traditional improvisational style. This is particularly evident in his popular dances, most notably ” Setti Dance,” whose simple melodies he drew and inspired from old Damascene evening gatherings traditionally held by women scenes he personally experienced since childhood.
Moreover, this composition contributed to spreading the Damascene musical style across the Arab world, becoming one of the pieces frequently performed by musicians in heritage ensembles and Eastern orchestras.
From Past to Present
Despite the many years since its composition, ” Setti Dance” continues to hold its place in the Syrian artistic consciousness. It remains one of the classic instrumental pieces that bridges past and present, performed today at concerts and heritage festivals as an essential element of Damascus’s musical identity.
Amid the notes of the oud and the beat of traditional drums, ” Setti Dance” continues to convey a vivid portrait of Damascene heritage, affirming that folk music possesses the power to transcend time while preserving the spirit and history of a place.
