Damascus, Dec. 18 (SANA) The ancient Damascus craft of Aghabani continues to thrive, blending hand-printed fabrics with intricate silk embroidery to produce works of art that embody both tradition and beauty. Despite the rise of modern industrial techniques, artisans in the capital remain committed to preserving the entirely handmade process.
Wasim Dabbaneh, a master craftsman active since the 1990s, explained that the process begins with selecting 100% linen or cotton-linen fabric for its durability and ability to hold embroidery. Patterns are hand-printed using carved wooden blocks, ensuring precise, repeated designs before the fabric moves to the embroidery stage.
“Artesian embroidery is done entirely by hand on traditional manual sewing machines,” Dabbaneh said. “The work requires patience, precision, and experience. The value of Aghabani lies in the manual craftsmanship.”
Color is also key to each piece’s identity. Artisan Mohammad al-Hindi said neutral shades like ivory and white form the base, while red, navy, and olive threads add decorative touches that appeal to both local buyers and international markets.
Once completed, the embroidered fabrics are cut and sewn into finished products ranging from tablecloths up to six meters long, napkins, placemats, and traditional garments including men’s and women’s jellabiyas and abayas.
Aghabani’s appeal extends beyond Syria, with growing demand in European and American markets due to its artistic and cultural value. Artisans continue to innovate within the craft while staying true to techniques preserved over centuries.
Both Dabbaneh and al-Hindi emphasized the importance of training a new generation of artisans to ensure the craft’s survival as Aghabani is more than a craft—it is a reflection of Syrian cultural identity and artistic heritage.
Dating back hundreds of years, Damascus’ Aghabani remains a symbol of the city’s rich cultural legacy, bridging the past and present through meticulous handmade artistry.
