Damascus, Jan. 12 (SANA) Spring Sonata, a monodrama by Jamal Adam, starring Mazen al-Natour and directed by Maher Sleibi, was performed at the Damascus Opera House from January 8 to 10, 2026. The play centers on Syria’s history under the deposed regime, told through the personal lens of its protagonist, Abu Hassan.
A Return to the Stage After 12 Years
Al-Natour, returning after a 12-year hiatus, portrayed Abu Hassan, a university professor tortured by the deposed regime’s security forces for refusing to pass a teacher’s daughter. His personal story intersects with the tragic fate of his father, who dies after being imprisoned. The play highlights the broader struggles of Syrians who, like Abu Hassan, refused to compromise their principles.
A Powerful Reflection of Syrian Suffering
Al-Natour described Spring Sonata as a reflection of Syrians’ collective suffering under the defunct regime. “It comes from an internal cry shared by all Syrians,” he said. The production, which has already been presented in the UAE, is now part of the ongoing effort to bring the message of the revolution to Syrian audiences.
The Significance of “Spring Sonata”
The title uses “sonata” as a symbol of the Arab Spring, chosen by the playwright to represent the revolution’s spirit. Al-Natour hopes to take the performance to other provinces, depending on conditions, to ensure it reaches more of Syria’s people.
Critical Reception
Critic Mohamed Mansour noted the play’s initial journalistic tone but praised the reveal that Abu Hassan, initially portrayed as a painter, is actually a university professor with a doctorate in history. This shift deepens the narrative. Mansour also commended Sleibi’s creative direction, highlighting his use of lighting, sound, and projections to enhance the play’s impact.
The play closed with a remark by the late poet Mohammad al-Maghout, displayed on screen alongside the message: “The people want to overthrow the regime.”
